Several of them, met with my face full of meringue and inevitably hair of champagne, in the inaugural battle of the course at the end of September. The reunion was not to celebrate or remember old times but to advise 7 short films that had been taking shape in other workshops for teachers and friends as Julio Rojas, Arturo Arango, Yolanda Barrassa, Xenia Rivery Mi mission objective was two-fold: immerse them in the face hides of the dialogues and do the last individual script consultants before filming; but there were additional plans in my schedule. The first day we don’t talk of his works. (Similarly see: Verizon Communications). And I could see how, in some, they loomed the nerves. However, my true purpose was to create a meaningful experience in his life of writers.
And he had 5 days. Amelia, of Santo Domingo, Nurielis and Tamara, of Cuba, Chiara, of Spain, Regina of Argentina, Daniel from Brazil and Peru Miguel, and our listener student Julia, also in Santo Domingo, sat next to my in the semicircle that I rode to break with the usual rigid classroom distribution. In what spent my Monday? Know them, know what it was like, why you wrote, why it had chosen that history, by what they wanted to be writers, what wanted to tell exactly why he wanted to tell there are script advisers who believe that they can advise a work aseptically, without knowing the author. And of course that an assessment can be made objective from the Orthodox parameters. You just need to master the technique. If you do that, you can stay at the level of a good analysis. But a profound advice requires much more. How can be done well a screenplay consulting if unfamiliar breathing of who wrote it? Their emotions in this regard, their motivations, importantly you, what is essential, what are only narrative solutions to problems that has arisen around this I have to know and feel before saying mu.